Please scroll down for samples of my writing.
My poems and essays appear in literary journals and magazines including Reflections, West Marin Review, Free State Review, Silk Road, Orion, Parabola, Ions, Comstock Review, Eco-Citizen and Jung Journal.
On the Commons and Center for Humans and Nature also publish my work. My poems are anthologized in Know Me Here and Fire and Rain: Eco-Poetry of California; Face to Face: Women Writers on Faith, Mysticism and Awakening; and is included in the Save the Redwoods centennial, The Once and Future Forest (Heyday Books, 2019).
DESIRE BEING FULL OF DISTANCES - poetry, Calliopea Press
WHILE THE DISTANCE WIDENS - short fiction, Floating Island Press
THE STONES THE DARK EARTH - poetry chapbook, Harlequin Ink
REPORT - poetry chapbook, dPress
LANGUAGE FOR THE WILD - poetry chapbook, Quicksilver Mine Co. Gallery
DARK SEASON -poetry chapbook, Quicksilver Mine Co. Gallery
These books may be ordered from me through the Contact link.
I have taught writing courses ranging from poetry to essay and fiction writing at Sonoma State University, where I also taught Contemplative Practices & Creative Process, Dreams & Creative Process.
For ten years I taught in the School of Expressive Arts, where I represented the dual disciplines of dance and creative writing. I've also taught workshops in the relationship between text and the body.
My environmental concerns led me to develop and teach the University's first inter-disciplinary general education ecology course, Ecological Identity.
PERFORMANCE & COLLABORATION
I have been fortunate to do a significant amount of collaborative work, including two projects with sculptor Bruce Johnson: his Poetry House, for which I wrote the book-length poem, The Poet's House, and the haiku text for his three Doyle Library oak sculptures). I have written text for both dance and vocal performances, and my "Salmon Chant" has been performed numerous times with dance and musical accompaniment. In 2001 both the "Salmon Chant" and my text for the dance, Water, were performed at the International Society for Ecological Restoration annual meeting in San Francisco.
GRANTS & AWARDS
Four-times Pushcart Prize in Poetry nominee
Shortlisted for both the Comstock Annual Poetry Award & Frontier Industry Prize in Poetry (2018)
Dana Prize in Poetry Finalist
James Hearst Poetry Prize Finalist
NEA /Community Foundation Grants to Individual Artists
The Foundation for Deep Ecology
PEN Radio Fiction Project
San Francisco Small Press Traffic Award for Poetry
The Mesa Refuge for Writers, Point Reyes, California
The Damian Foundation
Sonoma County Arts Award for Poetry
Negative Capability Fiction Award
Poets & Writers Readings & Workshops
PROFESSIONAL MEMBERSHIPS & ACTIVITY
Poets Editors & Novelists (PEN)
International League of Conservation Writers, Fellow
Academy of American Poets
Association for Psychological Science
Poets & Writers
International Association for the Study of Dreams
Sonoma State University, Faculty Emeritus
I was a founding board member of the Climate Protection Campaign (now Center for Climate Protection). I received my doctorate in Psychology from the never-accredited University for Integrative Studies, a brief distance-learning off-shoot of the Harvard School of Education, where I studied Biopoetics, exploring empathy and aesthetic behavior.
RECENT & FORTHCOMING PUBLICATION IN --
Psychological Perspectives (Featured Poet 2015)
Free State Review
West Marin Review
Chagrin River Review
North American Review (James Hearst Poetry Prize Finalist)
SAMPLE of PUBLISHED WORKS
A group of poems published to accompany a collaborative performance focused on the confusion and suffering of war.
Written for sculptor Bruce Johnson's major work, Poetry House, The Poet's House is a book-length poem in four sections that refused to be turned to type and is thus handwritten in its final form. A boxed copy of the poem lives inside Poetry House, while the original is housed in Special Collections at Doyle Library in Santa Rosa, California.
2013 Creative Writing Award winner
What is the connection between a developed feeling and the role of art in the articulation of values? I argue that a sustainable civil society depends upon our capacity to see ourselves as interdependent in a nonhierarchical web of living systems...
What do we mean by the words spirit and soul? How do we acknowledge and honor the soul and spirit of another being? Where do we find it? What does it take to cultivate our capacity to perceive the soul of the world? These are some of the questions I explore in this article for Parabola's issue on "Body and Soul.'
How do we learn to listen to our own soul's call? How do we find the eternal within the transient? This article explores these questions and argues that attending to the embodied world we strengthen its "light."