instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle


 Please scroll down to links for samples of my writing.

I was born in the Illinois, grew up in Hawaii, and moved to Northern California for college where I have remained ever since. My artistic work includes collaboration with other poets, musicians and visual artists for performances and print projects. I write essays as well as poetry, and my work appears in literary journals and magazines including Reflections, West Marin Review, Free State Review, Silk Road, Orion, Parabola, Ions, Comstock Review, Eco-Citizen and Jung Journal.


On the Commons and Center for Humans and Nature also publish my writing, and it has been anthologized in Know Me Here and Fire and Rain: Eco-Poetry of California; Face to Face: Women Writers on Faith, Mysticism and Awakening; and is included in the Save the Redwoods centennial, The Once and Future Forest (Heyday Books, 2019).





Forthcoming from Fernwood Press, Fall of 2020, INSISTENT GRACE (poems, including my 2020 Pushcart nominee, "Vanishing.)


DESIRE BEING FULL OF DISTANCES - poetry, Calliopea Press
WHILE THE DISTANCE WIDENS - short fiction, Floating Island Press
THE STONES THE DARK EARTH - poetry chapbook, Harlequin Ink
REPORT - poetry chapbook, dPress
LANGUAGE FOR THE WILD - poetry chapbook, Quicksilver Mine Co. Gallery

DARK SEASON -poetry chapbook, Quicksilver Mine Co. Gallery


These books may be ordered from me through the contact link on Say Hello Here.




I have taught writing courses ranging from poetry to essay and fiction writing at Sonoma State University, where I also taught Contemplative Practices & Creative Process, Dreams & Creative Process.


For ten years I taught in the School of Expressive Arts, where I represented the dual disciplines of dance and creative writing. I've also taught workshops in the relationship between text and the body.


My environmental concerns led me to develop and teach the University's first inter-disciplinary general education ecology course, Ecological Identity.




I have been fortunate to do a significant amount of collaborative work, including two projects with sculptor Bruce Johnson: his Poetry House, for which I wrote the book-length poem, The Poet's House, and the haiku text for his three Doyle Library oak sculptures. I have written text for both dance and vocal performances, and my "Salmon Chant" has been performed numerous times with dance and musical accompaniment. In 2001 both the "Salmon Chant" and my text for the dance, Water, were performed at the International Society for Ecological Restoration annual meeting in San Francisco.



Five-times Pushcart Prize in Poetry nominee

Shortlisted for both the Comstock Annual Poetry Award & Frontier Industry Prize in Poetry (2018)
Dana Prize in Poetry Finalist
James Hearst Poetry Prize Finalist
NEA /Community Foundation Grants to Individual Artists
The Foundation for Deep Ecology
PEN Radio Fiction Project
San Francisco Small Press Traffic Award for Poetry
The Mesa Refuge for Writers, Point Reyes, California
The Damian Foundation
Sonoma County Arts Award for Poetry
Negative Capability Fiction Award
Poets & Writers Readings & Workshops




Poets Editors & Novelists (PEN)
International League of Conservation Writers, Fellow
Academy of American Poets
Authors Guild

Society for Conservation Biology
Association for Psychological Science
Poets & Writers

Sonoma State University, Faculty Emeritus


Founding board member of the Climate Protection Campaign (now Climate Center).




I was born in Chicago where my mother was attending art school and my father in business after graduating from Northwestern. Family upheaval meant moving around for several years before resettling in Hawaii where most of my family remains today. I attended the University of Hawaii and after moving to San Francisco earned my Masters at San Francisco State University. Subsequently I studied biopoetics, focusing on empathy and the origin of aesthetic behavior, and received my PhD in Psychology from the University for Integrative Learning, a brief, thus never-accredited distance learning program founded by graduates of the Harvard School of Education.


My job history includes working the night-shift in a pineapple cannery, selling watches in a department store, briefly serving as a Faculty Assistant and later Programs Center Advisor at San Francisco State before moving north to teach at the sister campus of Sonoma State University.


Comstock Review

Free State Review



West Marin Review
Chagrin River Review
North American Review


(click on titles to read more)

Dark Season

A group of poems published to accompany a collaborative performance focused on the confusion and suffering of war.

The Poet's House

Written for sculptor Bruce Johnson's major work, Poetry House, The Poet's House is a book-length poem in four sections that refused to be turned to type and is thus handwritten in its final form. A boxed copy of the poem lives inside Poetry House, while the original is housed at Doyle Library in Santa Rosa, California.

Aesthetica Arts & Culture

2013 Creative Writing Award winner

Feeling, Art and Sustainable Civil Society

What is the connection between a developed feeling and the role of art in the articulation of values? I argue that a sustainable civil society depends upon our capacity to see ourselves as interdependent in a nonhierarchical web of living systems...


Parabola Magazine, Fall 2005

What do we mean by the words spirit and soul? How do we acknowledge and honor the soul and spirit of another being? Where do we find it? What does it take to cultivate our capacity to perceive the soul of the world? These are some of the questions I explore in this article for Parabola's issue on "Body and Soul.'

"Except By Light"

How do we learn to listen to our own soul's call? How do we find the eternal within the transient? This article explores these questions and argues that attending to the embodied world we strengthen its "light."